A Retrospective  

 

Get deep inside the mind of this writer as I give insight on how I came to love Baltimore as it relates to House music.   I definitely love, respect, and know the origins of House, as it poured out of Chicago and then NYC.  But let me tell you what was going on in Baltimore especially since we called "house" music "Odell's" or "club" music back then.  Let me take you back to the late 70's.  I had a young mom and she and her friends were always talking about a club called Odell's.  She was in her late 20's  then and I was playing little league baseball.  By the time I was 13 I had already been to 2 Odell's kiddie discos.  I knew this club inside out.  My mother loved to dance and in my house I can remember album covers like the one Diana Ross did where she had on the denim jeans. You know, the one with "I'm coming out" and "Upside down" on it.  My mother loved her records and actually gave a woman a beat down because she lost some of her 45's that she loaned her for a party.  After witnessing that, I think this is when I became an Honor Roll student.  I admired my mother for many things because it seemed like she could do anything, like "the hustle."  I started to love dance music, being the son of a mother who liked to party.  When me and my younger brother returned home the morning after a couple of parties that was given at the house,  I used to play some of the songs on the record player.  I remember her taking my brother and I  to Easter cabarets back then and dancing to songs by Bohannon and Taste of Honey.  You see dance music to Baltimore was and still is what jazz is to New Orleans or Go-Go music is to Washington, D.C.   The seeds were planted back then and I could have been an incredible DJ today If I had not fell in love with technology first.  I am fortunate to grow up with two original music genres created by Black people in the United States.  That is House and Hip-Hop music.    I still can remember the day that my mother and her girlfriend was asking me about the lyrics to a song that was on the radio.  I said "ma, he said-- the macaroni's soggy, peas all mushy, and the chicken taste like wood."  I can remember being about 14 or 15 and a friend's parents wasn't home so we decided to have a party.  Somebody forgot the records so we just partied with the Kraftwork album and Planet Rock.  I was fortunate enough to grow up on the left side of Baltimore and almost all my childhood friends love House music.  I am one of a few people who knew that Jerome Hicks was Djing before he worked the lights at Odell's.  I can remember when the AM stations  ran the city because some of the FM stations were arrogant enough to actually say we don't play hip-hop and dance music like WEBB.  I can remember the day when Randy Dennis introduced DJ Spen and the Numarx mix team to Baltimore.  I also remember Randy Dennis leaving and introducing Frank Ski, now based in Atlanta, to Baltimore.  I am fortunate enough to see Odell's go through 4 different redesigns.  My mother's era had the cubicle style seating around the dance floor.  The House era saw Lil' Will Franklin and Phil take the club to another level with the wider dance floor and the runway style stage.  The same stage that the famous Fly Girl contest was held. 

I call this the House period.  Just as the term "house" came from people hearing the music played at the famous "Warehouse" in Chicago, we called this music Odell's music.  It was not until the House Anthem by Marshall Jefferson came out did everyone start saying "House Music" in Baltimore.  I was fortunate to see Liz Torres and the Master C&J perform at Odell's, among others.  The club closed for a while and then re-opened by new owner/management.  The stage was gone and so was  the wall separating the front lounging area from the dance area.   This was, however, the beginning of the end (Frank Ski era)  for Odell's because the music changed and the neighborhood could not tolerate the new type of patrons and crime the club attracted.  It's open now as the Heritage Theatre.  I can remember Thanksgiving night in 1987 not being able to get into Odell's, Cignel's, or a new club called Club Fantasy because of long lines.  I love house music and supported the artists by purchasing $100's of dollars worth of music from 12 Inch Dance Records when it was on Charles Street in the early 90's.  (A classic collection that was donated to a popular area DJ who did not do anything with them).  I was fortunate enough to go to many nightclubs in my life and see many dj's and artist's.  I've heard all of the following dj's play over the last 19 years--Wayne Davis, Tony Fashaw, Jerome Hicks, Frankie Knuckles( @ Club Fantasy), Sam "the man" Burns(Trax & Chicago's), Michael Joyner (my personal all-time fav), Little Louie Vega, Tony Humphries, Teddy Douglass, Thommy Davis, Maurice Brock, DJ Pope, DJ Oji, DJ Biskit, KW Griff,  Frank Ski, DJ Boobie, DJ Tanz, Sean Marshall, DJ Ulken, DJ Karizma, DJ Technics, Greg Pickett, Chris Brooks and many more that I am proud of, and some I am ashamed to say I was in the house.  I have never been to Chicago and did not frequent NYC during the House boom years and still did not miss the following artists perform live--Ultra Nate', Mass Order, Liz Torres f/ Master C&J, Chandra Simmons, Nacera, Barbara Tucker, Dhar Braxton, India, MAW, Martha Walsh, James Howard, Jay William's, Colonel Abrams, KC Flight, Fast Eddie, Joe Smooth, Doug Lazy, Marshall Jefferson, Raze(Vaughn Mason), Ten City, Una's 1st performance, Marty St. Michael, Jomanda(3 times), Hunter Hayes, plus some I probably forgot about.  The only non-House  singers I've ever seen in concert was Teena Marie and R. Kelly.  If I am not "House" then who is.  I've done and seen it all, from right here in Baltimore.  So when I here people say it's a different House scene outside of Baltimore, I say we've already been there.  Wayne Davis and DJ Spen is our Larry Levan and Tony Humphries.  I've seen baby powder sprinkled on the floor of Club Fantasy and the Paradox in the late 80's and early 90's.  I use to work downtown Baltimore on a 3rd shift and one night I went to lunch at 4am, went to Club Fantasy, and came back to work by 6am.  I've partied in environments that had gay, straight, and a multi-racial crowds.  Maxi Jackson, the un-creative station Manager for WEAA(Morgan State Univ.), cancelled the most popular House show in Baltimore.  In fact, you would have had to drive 3 or 4 states to find a comparable show.  Incredibly, I have seen the House scene rise in Baltimore over the last year.  There are more clubs/events playing House music now than when DJ Pope & Oji was on the radio.   House heads are fiending for the music.  Something good has come out of the cancellation and that is House music is back in Baltimore.  The DJ's and artists never missed a beat as they performed around the world and now the House music natives of Baltimore are learning or should learn to appreciate world renown House artists living right in their neighborhoods.  My name is John M. Johnson and I love House music.